1978-81 Marshall JMP 1987 Mk II Super Lead 50w vs Marshall Vintage Modern 2466

The 1978-81 Marshall JMP 1987 Mk II Super Lead 50w and the Marshall Vintage Modern 2466 are both amplifiers sharing dynamic. The 1978-81 Marshall JMP 1987 Mk II Super Lead 50w leans harmonically rich and edge of breakup. The Marshall Vintage Modern 2466 leans high gain and aggressive.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

64% — moderately similar

Shared genres
citedGenres both listings are associated with.
  • Metal
  • Rock
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • dynamic
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price
—

$1199.99via Reverb

Description

The Marshall JMP 1987 Super Lead is the 50-watt sibling of the better-known 100-watt 1959 Super Lead, sharing the same non-master-volume, four-input Plexi-family circuit at half the output. Produced across the JMP badge era of the mid-1970s to early 1980s, the Mk II designation reflects circuit revisions Marshall made over that production run. At 50 watts it reaches saturation at more manageable volume than its 100-watt sibling while keeping the same open, harmonically rich breakup that defines the non-master-volume Marshall sound. It is associated in this catalogue with Dave Murray of Iron Maiden.

The Marshall Vintage Modern 2466 is a 50-watt tube amplifier blending classic 1970s Marshall tone with modern features. Its dual channels deliver warm, responsive low-gain tones and aggressive high-gain lead tones. The Vintage Modern appeals to players seeking versatile vintage-inspired amplification.

Genres
citedGenres this gear is documented as being used in.
  • Classic Rock
  • Hard Rock
  • Blues
Tonal lean
  • harmonically rich
  • edge of breakup
  • high gain
  • aggressive
Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Live
  • Live
  • Studio
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