67Audio Harry Balz vs Ibanez TS9 Tube Screamer
The 67Audio Harry Balz and the Ibanez TS9 Tube Screamer are both pedals sharing bright, mid-forward, sustaining. The 67Audio Harry Balz leans dynamic and saturated.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.39% — somewhat different
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Genres both listings are associated with.- Blues
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Derived from overlapping tonal signals across both listings.- bright
- mid-forward
- sustaining
67Audio Harry Balz
67audio · pedal
Ibanez TS9 Tube Screamer
Ibanez · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$108.04via Reverb
The 67Audio Harry Balz is a dual-channel overdrive in a 1590BB enclosure offering two independent gain stages designed to capture the sound of cranked amplifier output tubes rather than preamp-tube saturation. An internal voltage converter and regulator boosts headroom beyond standard 9V operation producing a dynamic open response with less compression than typical op-amp drives. Seven controls including Gain 1, Gain 2, Volume, Q, Treble, Mid, and Bass allow wide tonal shaping. True bypass. Suited to classic rock, blues, and any context where pick dynamics and guitar volume rolloff feel are priorities over compressed sustain.
The Ibanez TS9 Tube Screamer is among the most influential overdrive pedals ever built, a 1982 evolution of the TS808 using the same mid-focused circuit with a slightly brighter, more aggressive output stage. It produces a smooth, compressed overdrive with a pronounced midrange hump that helps single-coil and humbucker guitars cut through a band, and a gentle low-end rolloff that keeps the sound tight. Most players use it not for heavy gain but as a low-gain drive or as a boost stacked into an already driven tube amp, the classic way to fatten and focus a lead tone. Closely associated with Stevie Ray Vaughan and a huge range of blues and rock players, it remains one of the most cloned circuits in existence and a benchmark for mid-rich overdrive.
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Genres this gear is documented as being used in.- Classic Rock
- Metal
- Alternative Rock
- Rock
- dynamic
- saturated