Acoustic Strymon DIG V2 Dual Digital Delay vs JHS 3 Series Glitch Delay
The Acoustic Strymon DIG V2 Dual Digital Delay and the JHS 3 Series Glitch Delay are both pedals sharing ambient, modulated. The Acoustic Strymon DIG V2 Dual Digital Delay leans shimmer. The JHS 3 Series Glitch Delay leans slapback.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.47% — somewhat different
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Genres both listings are associated with.- Ambient
- Post-Rock
- Shoegaze
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Derived from overlapping tonal signals across both listings.- ambient
- modulated
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$99via Reverb
The Strymon DIG V2 is a dual digital delay stompbox offering three selectable delay voicings: ADM (early 1980s Adaptive Delta Modulation with lo-fi warmth), 12-bit PCM (mid-1980s 12-bit pulse code modulation with warm vintage character), and 24/96 (modern 24-bit 96kHz high-resolution clarity). Two independently configurable delay lines run simultaneously in series or parallel. The two lines can also run as a ping-pong delay. Version 2 adds a dedicated Tone control, three modulation depth levels, and expanded MIDI capabilities. A golden ratio timing mode creates a logarithmic spiral decay pattern. Particularly suited to ambient, shoegaze, post-rock, and studio recording.
The JHS 3 Series Glitch Delay is an experimental delay pedal from JHS Pedals' budget-friendly 3 Series line, priced at $99. Controls include Glitch (adjusts glitch probability from 0 to 50%), Time (20ms to 980ms), and Repeats (which introduces modulation as it increases), plus a Mix toggle that sets delay level at either a subtle 35% or a more present 80%. Inspired by the ambient delay work of Bill Frisell and the Line 6 DL4. True bypass.
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Genres this gear is documented as being used in.- Experimental
- shimmer
- slapback
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Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Live
- Studio
- Worship
- Live
- Studio