Acoustic Strymon DIG V2 Dual Digital Delay vs Strymon Dig 2FS Delay
The Acoustic Strymon DIG V2 Dual Digital Delay and the Strymon Dig 2FS Delay are both pedals sharing warm, modulated, transparent. The Acoustic Strymon DIG V2 Dual Digital Delay leans ambient and shimmer. The Strymon Dig 2FS Delay leans lush and pristine.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.52% — moderately similar
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Genres both listings are associated with.- Ambient
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Derived from overlapping tonal signals across both listings.- warm
- modulated
- transparent
- mid-forward
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.The Strymon DIG V2 is a dual digital delay stompbox offering three selectable delay voicings: ADM (early 1980s Adaptive Delta Modulation with lo-fi warmth), 12-bit PCM (mid-1980s 12-bit pulse code modulation with warm vintage character), and 24/96 (modern 24-bit 96kHz high-resolution clarity). Two independently configurable delay lines run simultaneously in series, parallel, or ping-pong configurations. Version 2 adds a dedicated Tone control, three modulation depth levels, and expanded MIDI capabilities. A golden ratio timing mode creates a logarithmic spiral decay pattern. Particularly suited to ambient, shoegaze, post-rock, and studio recording.
The Strymon DIG is a dual digital delay built on a SHARC DSP chip, offering two flexible, detailed delay engines that can run in series or parallel for cascading lines, ping-pong rhythms, and rich layered echoes. It provides three digital delay voicings: an early-1980s adaptive delta modulation mode and a mid-1980s 12-bit PCM mode that nail the warm, slightly gritty character of vintage digital rack units without their aliasing and noise, plus a modern high-resolution 24/96 mode for pristine, hi-fi repeats. It is noise-free and sounds great with clean or high-gain tones, and it adds lush chorus, flanging, and modulation to the repeats. With tap tempo and stereo operation, it suits players wanting warm vintage digital character or modern clarity, ideal for rhythmic, ambient, and classic 80s-style delay tones.
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Genres this gear is documented as being used in.- Post-Rock
- Shoegaze
- ambient
- shimmer
- lush
- pristine
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Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Live
- Studio
- Worship
- Live
- Studio
- Worship