Alexander Dynaflanger Model 213 vs Behringer The Flange
The Alexander Dynaflanger Model 213 and the Behringer The Flange are both pedals sharing lush. The Alexander Dynaflanger Model 213 leans pristine and modulated. The Behringer The Flange leans analog warmth.
cited
Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.46% — somewhat different
cited
Genres both listings are associated with.- Experimental
- Alternative Rock
cited
Derived from overlapping tonal signals across both listings.- lush
cited
Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$229via Reverb
The Alexander Pedals Dynaflanger Model 213 is a 10-mode digital boutique flanger from Alexander Pedals' Leap Series featuring 32 user presets across four banks, stereo TRS I/O, USB firmware updates, and a MultiJack accepting expression, MIDI, or footswitch. Its ten modes range from classic AUTO wide-sweep jet-plane flanging with through-zero flanging to DYNA envelope-controlled flanging that responds to pick attack, SPIRAL which creates a Shepard Tone endless-staircase pitch illusion, ECHO FLANGER combining up to 800ms delay with flanging, FLERB pairing hall reverb with auto-flanging for lush shoegaze textures, STEP for rhythmic step-sequenced modulation, and TURBO for experimental fade and chop effects. Suited to shoegaze, dream-pop, experimental, ambient, and alternative contexts.
This entry covers a Behringer flanger pedal marketed simply as The Flange, most likely referring to Behringer's The Flange With No Name, an analog circuit built as an homage to Lovetone's revered 1990s Flange With No Name, one of the most sought-after and expensive boutique modulation pedals of its era. Behringer's version brings that lush, warping analog flange character to a much more accessible price point, going beyond standard flanging to blend in elements of phaser and tremolo, with dual signal paths, an onboard effects loop, CV connectivity, and a mono-to-stereo switch giving it considerably more sonic range than a typical single-mode flanger pedal.
cited
Genres this gear is documented as being used in.- Ambient
- Shoegaze
- pristine
- modulated
- analog warmth