Alexander Pedals Quadrant Audio Mirror vs Strymon Brigadier dBucket Delay
The Alexander Pedals Quadrant Audio Mirror and the Strymon Brigadier dBucket Delay are both pedals sharing analog warmth, transparent, low gain. The Alexander Pedals Quadrant Audio Mirror leans dark and ambient. The Strymon Brigadier dBucket Delay leans modulated and lush.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.47% — somewhat different
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Genres both listings are associated with.- Experimental
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Derived from overlapping tonal signals across both listings.- analog warmth
- transparent
- low gain
Strymon Brigadier dBucket Delay
Unknown brand · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$199.99via Reverb
The Alexander Pedals Quadrant (also marketed as Quadrant Audio Mirror) is a four-mode NEO Series digital delay pedal with an analog dry signal path ensuring no coloration of the dry signal regardless of mode. Four delay engines — MAG (warm tape-style repeats with progressive top and bottom rolloff), BBD (warm bucket-brigade character closely emulating the Electro-Harmonix Deluxe Memory Man), DIG (clean bright early-digital clarity), and LOFI (deliberately degraded lo-fi repeat textures) — cover the classic delay spectrum. Features expression pedal morphing between two complete preset settings and MIDI with firmware updates via USB.
The Strymon Brigadier is a 5-knob delay pedal built around Strymon's dBucket algorithm, engineered to emulate every idiosyncratic facet of classic bucket-brigade delay chips in a more stable, repeatable way. It ranges from subtle, glassy, warm and clean repeats to chaotically stacked, saturated echo, with a dedicated Bucket Loss control that lets players dial the noise and grit of real BBD hardware back in on demand. Filters shape brightness and dampening on the repeats, and a cross-modulation feature opens up more experimental, evolving delay textures. A discrete JFET analog input stage helps preserve the dry tone. It suits players wanting authentic analog bucket-brigade delay character, from clean to gritty, without the noise floor of real vintage BBD chips.
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Genres this gear is documented as being used in.- Electronic
- Ambient
- Country
- Blues
- dark
- ambient
- modulated
- lush
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Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Live
- Studio
- Worship
- Live
- Studio