Alexander Pedals Radical Delay vs Alexander Pedals Superball Kinetic Modulator

The Alexander Pedals Radical Delay and the Alexander Pedals Superball Kinetic Modulator are both pedals sharing pristine, ambient, modulated.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

49% — somewhat different

Shared genres
citedGenres both listings are associated with.
  • Ambient
  • Experimental
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • pristine
  • ambient
  • modulated
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
27%
0%
Price

$188.49via Reverb

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Description

The Alexander Pedals Radical Delay is a six-mode digital delay blending 1980s clean digital tone with modern modulation and glitch processing. Modes include MOD (modulated delay with chorus or vibrato on repeats), BEND (pitch-spiraling echoes), DUAL (dual-tap delay lines), REV (reverse delay), ARP (chiptune arpeggiator delay), and DYNA (dynamics-reactive delay). Maximum delay time ranges from 680ms to over 5000ms controlled by the CLOCK knob, which also shifts bandwidth from 16kHz down to 1kHz for lo-fi textures. Four onboard presets expand to 16 via MIDI. Neo Morph enables real-time seamless transitions between stored parameter positions.

The Alexander Pedals Superball Kinetic Modulator is a digital delay pedal whose repeat envelope is physically modeled on the bouncing of a superball — each successive repeat decays with logarithmic energy loss derived from actual slow-motion footage rather than a linear or exponential approximation. Sixteen editable parameters across LFO, SEQ, HI, and LO banks enable pitch sequencing, modulation, filter sweeps, and combined effects within the delay tails. The sequencer is tied to delay time producing pitched note sequences from echo tails. Purpose-built for ambient, experimental, generative texture, and sound design applications.

Genres
citedGenres this gear is documented as being used in.
  • Post-Rock
  • Shoegaze
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Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Live
  • Studio
  • Live
  • Studio
  • Worship

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