Ampeg Classic Analog Bass Preamp pedal vs Ashdown Triple Shot
The Ampeg Classic Analog Bass Preamp pedal and the Ashdown Triple Shot are both pedals sharing mid-forward, full, bright. The Ashdown Triple Shot leans transparent and saturated. Current prices: $116.29 vs $179.99.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.36% — somewhat different
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Genres both listings are associated with.- Metal
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Derived from overlapping tonal signals across both listings.- mid-forward
- full
- bright
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$116.29via Reverb
$179.99via Reverb
The Ampeg Classic Analog Bass Preamp pedal (CABP, model F17-1) is an all-analog circuit bringing vintage Ampeg SVT preamp character to a compact bass pedal. The preamp section provides up to +18 dB of gain feeding a 3-band EQ: Bass +7/-20 dB at 40 Hz, Mid +5/-11 dB at 500 Hz, Treble +10/-10 dB at 4 kHz. Ultra-Hi and Ultra-Lo passive switches add a high-frequency shelf or a simultaneous bass boost with mid cut for classic SVT fat low-end tone. True bypass, 9V DC at 20mA, internal -15 dB input pad for active basses. Housed in a matte black all-metal enclosure at approximately street price.
The Ashdown ADM3S-U Triple Shot Drive is a multiband bass overdrive pedal from UK manufacturer Ashdown Engineering. The signal is split into three discrete frequency bands: Dark (bass), Medium (midrange), and Light (treble), each fed through an independent distortion generator with its own Roast control setting the overdrive amount per band. The bands are recombined for full-frequency output. Requires an 18V power supply (included). The multiband architecture allows bassists to apply heavy saturation to midrange while keeping low bass clean, preserving low-end definition under heavy drive.
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Genres this gear is documented as being used in.- Electronic
- Rock
- transparent
- saturated
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Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Live
- Silent Recording
- Studio