Ampeg RB-112 Rocket Bass 100-Watt Combo Bass vs Phil Jones BP-800 Bass Pulse 800W Head

The Ampeg RB-112 Rocket Bass 100-Watt Combo Bass and the Phil Jones BP-800 Bass Pulse 800W Head are both amplifiers sharing mid-forward, transparent. The Ampeg RB-112 Rocket Bass 100-Watt Combo Bass leans bright and high headroom. The Phil Jones BP-800 Bass Pulse 800W Head leans tight. Current prices: $371.03 vs $861.34.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

46% — somewhat different

Shared genres
citedGenres both listings are associated with.
  • Rock
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • mid-forward
  • transparent
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price

$371.03via Reverb

$861.34via Reverb

Description

The Ampeg Rocket Bass RB-112 is a 100-watt, 1x12-inch bass combo amplifier in the Rocket Bass series, featuring Ampeg's Super Grit Technology (SGT) overdrive and an SVT-inspired preamp voicing. The 12-inch driver delivers more headroom and low-frequency presence than the RB-110 while remaining compact and portable. Three-band EQ, SGT drive, a rear XLR DI, and headphone and aux connections make it versatile across rehearsal, small-venue gigging, and home recording. It delivers warm, slightly mid-forward Ampeg character suited for rock, blues, soul, and practice situations where a full stack is impractical.

The Phil Jones Bass BP-800 Bass Pulse is an 800-watt bass amplifier head weighing under five pounds, built around a Class A preamp and the company's five-band EQ. The combination of very high output and very low weight is the design's central claim, aimed at players who need substantial power without carrying a traditional heavy head. The Class A preamp stage gives the clarity and midrange detail PJB is known for, and the five-band EQ offers more shaping than the typical three-band bass tone stack. It suits gigging bassists across jazz, session, funk and rock work who want articulate amplification and are carrying their own rig.

Genres
citedGenres this gear is documented as being used in.
  • Soul
  • Blues
  • Jazz
  • Funk
Tonal lean
  • bright
  • high headroom
  • full
  • tight
Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Live
  • Studio
  • Silent Recording
  • Live

Related searches