Analog Man King of Tone vs Mad Professor Supreme Matt Schofield Overdrive
The Analog Man King of Tone and the Mad Professor Supreme Matt Schofield Overdrive are both pedals sharing bright, high headroom. The Analog Man King of Tone leans transparent and dynamic. The Mad Professor Supreme Matt Schofield Overdrive leans saturated and full. Current prices: $775 vs $288.20.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.49% — somewhat different
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Genres both listings are associated with.- Blues
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Derived from overlapping tonal signals across both listings.- bright
- high headroom
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$775via Reverb
$288.20via Reverb
The Analog Man King of Tone is a dual-channel overdrive built around a modified Marshall Bluesbreaker circuit, widely regarded as one of the most transparent low-gain overdrives ever made. Each of its two independent sides offers volume, drive, and tone controls, with internal switches for clean boost, overdrive, or light distortion voicings. It preserves the natural character of the guitar and amp, keeping the low end intact, the mids uncluttered, and the treble smooth rather than fizzy. Famous for years-long waitlists, it is favored for warm, dynamic, amp-like grit in blues, classic rock, and roots styles. Players use it as an always-on transparent boost or stack both sides as two overdrives.
The Mad Professor Supreme is a dual-channel overdrive developed with blues guitarist Matt Schofield. The A side is based on Mad Professor's Royal Blue Overdrive circuit and voiced for low-gain drive suited to neck-pickup blues leads. The B side is an entirely new design giving Schofield's preferred fat, dynamic tone with power-amp-like response and generous headroom. Each side has its own Volume, Drive, Bass, and Treble controls, switchable with a single A/B footswitch, and the two channels can be run independently or stacked together for higher gain. It is aimed at blues and blues-rock players who want two distinct, amp-like overdrive voicings in one box.
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Genres this gear is documented as being used in.- Classic Rock
- Blues Rock
- transparent
- dynamic
- saturated
- full