Animals Pedal Double Spy Mission is Imp Filter vs Electro-Harmonix Cock Fight Plus

The Animals Pedal Double Spy Mission is Imp Filter and the Electro-Harmonix Cock Fight Plus are both pedals sharing glassy, smooth. The Animals Pedal Double Spy Mission is Imp Filter leans octave. The Electro-Harmonix Cock Fight Plus leans fuzzy and dynamic. Current prices: $104.87 vs $132.30.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

48% — somewhat different

Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • glassy
  • smooth
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price

$104.87via Reverb

$132.30via Reverb

Description

The Animals Pedal Double Spy Mission is Impossible Filter is an auto-wah and envelope filter from Japanese boutique maker Animals Pedal. Three controls cover Range (filter bandwidth), Filter (filter response sensitivity), and Mode (filter sweep direction, up or down). Optical design with 1mA current consumption, 470K input impedance, and 470 ohm output impedance. Compatible with guitar and bass. Powered by 9V battery or standard center-negative DC adapter. Dimensions 64W x 112D x 50H mm, 379g. A simple three-knob layout and dual sweep direction make it practical for beginners and experienced players alike.

The Electro-Harmonix Cock Fight Plus is a cocked talking wah and fuzz pedal that builds on the original Cock Fight with a rugged, lightweight design and a traditional rack-and-pinion treadle mechanism. It contains two expressive filters: a traditional wah filter and a formant filter for vowel-like talking effects, plus a lively fuzz section that can be placed before or after the filter or removed entirely. As a wah it is smooth and even with a sweet quack reminiscent of a classic Cry Baby, cleaner in the treble than many budget rivals, and adding fuzz exaggerates the effect with more bottom end and saturated gain. Routing the fuzz after the filter gives classic rock tones, while placing it before yields synth-like textures. It suits rock and experimental players wanting wah, talking filter, and fuzz in one unit.

Genres
citedGenres this gear is documented as being used in.
  • Soul
  • Funk
  • Classic Rock
  • Experimental
  • Rock
Tonal lean
  • octave
  • fuzzy
  • dynamic
Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Busking
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