Art Old Blood Noise x Emily Hopkins Parting Glitch Device vs Chase Bliss Lost + Found
The Art Old Blood Noise x Emily Hopkins Parting Glitch Device and the Chase Bliss Lost + Found are both pedals sharing full. The Art Old Blood Noise x Emily Hopkins Parting Glitch Device leans ambient and pristine. The Chase Bliss Lost + Found leans modulated.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.44% — somewhat different
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Genres both listings are associated with.- Ambient
- Experimental
- Shoegaze
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Derived from overlapping tonal signals across both listings.- full
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$371.97via Reverb
The Old Blood Noise Endeavors x Emily Hopkins PARTING is a digital multi-effects pedal combining modulation, glitch delay, reverb, and signal degradation. Designed in collaboration with electroacoustic harpist and composer Emily Hopkins, it features a seven-waveform LFO modulation engine, a Glitch-Delay-Reverb section with Smear diffusion and Chance-based random triggering, and a Dissolve control transitioning from sample-rate reduction to degraded reverse trails. Stereo I/O, MIDI with clock sync, expression input over all knobs, and preset storage complete the feature set. Purpose-built for ambient, experimental, shoegaze, and post-rock textures on guitar, bass, or non-standard instruments.
The Chase Bliss Lost and Found is the company first true multi-effect pedal, built as a museum of twelve rare and vintage-inspired effect modes that can be blended together in extensive combinations rather than used one at a time. Modes span phasing choruses, stacked synth-like textures, and ratcheting reverbs, and a bonus compressor and saturator sits at the end of the chain to glue the blended effects together or push them into overdriven territory. It offers stereo input and output, tap tempo with trails, true bypass depending on mode, four onboard presets plus up to one hundred twenty two via MIDI, and full MIDI, CV, and expression control with internal modulation available on essentially any knob. It suits players who want an unusually deep single box covering unusual modulation, ambience, and texture effects, favoring creative sound design and vintage oddity tones over a single straightforward modulation or reverb utility.
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Genres this gear is documented as being used in.- Post-Rock
- Alternative Rock
- ambient
- pristine
- modulated
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Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Studio
- Worship
- Live
- Studio