Art Old Blood Noise x Emily Hopkins Parting Glitch Device vs Source Audio Ultrawave Multiband

The Art Old Blood Noise x Emily Hopkins Parting Glitch Device and the Source Audio Ultrawave Multiband are both pedals. The Art Old Blood Noise x Emily Hopkins Parting Glitch Device leans ambient and analog warmth.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

42% somewhat different

Shared genres
citedGenres both listings are associated with.
  • Experimental
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
17%
Description

The Old Blood Noise Endeavors x Emily Hopkins PARTING is a digital multi-effects pedal combining modulation, glitch delay, reverb, and signal degradation. Designed in collaboration with electroacoustic harpist and composer Emily Hopkins, it features a seven-waveform LFO modulation engine, a Glitch-Delay-Reverb section with Smear diffusion and Chance-based random triggering, and a Dissolve control transitioning from sample-rate reduction to degraded reverse trails. Stereo I/O, MIDI with clock sync, expression input over all knobs, and preset storage complete the feature set. Purpose-built for ambient, experimental, shoegaze, and post-rock textures on guitar, bass, or non-standard instruments.

The Source Audio Ultrawave Multiband is a multiband processor from Source Audio (Boston, Massachusetts), applying compression, distortion, and harmonic enhancement independently across multiple frequency bands with MIDI control and Neuro app programmability. The Ultrawave Multiband can compress, distort, and enhance bass, mids, and treble independently for creative multiband sound design unavailable from conventional single-band processors.

Genres
citedGenres this gear is documented as being used in.
  • Ambient
  • Post-Rock
  • Shoegaze
Tonal lean
  • ambient
  • analog warmth
  • modulated
Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Studio
  • Worship
  • Live
  • Studio

Related searches

Art Old Blood Noise x Emily Hopkins Parting Glitch Device vs Source Audio Ultrawave Multiband — Shared Character & Differences — NodeTone