Ashdown Funk Faze vs Electro-Harmonix Nano Q-Tron

The Ashdown Funk Faze and the Electro-Harmonix Nano Q-Tron are both pedals sharing dynamic. The Ashdown Funk Faze leans harmonically rich and saturated. The Electro-Harmonix Nano Q-Tron leans mid-forward. Current prices: $172.26 vs $94.15.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

38% — somewhat different

Shared genres
citedGenres both listings are associated with.
  • Funk
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • dynamic
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price

$172.26via Reverb

$94.15via Reverb

Description

The Ashdown Funk Faze is a bass twin dynamic filter pedal designed with Stuart Zender, Jamiroquai bassist. A twin dynamic filter circuit delivers everything from subtle envelope filtering to full auto-wah shaped by playing dynamics. Controls include Sensitivity, Mix, and Output (which doubles as a clean boost), plus two footswitches for effect bypass and drive engagement. Valve-emulated overdrive is switchable pre or post the wah filter. True bypass. 9V DC 45mA, 145.5 x 116.2 x 65mm, 0.9kg. Reviewed by Premier Guitar for thick foundation and harmonic detail.

The Electro-Harmonix Nano Q-Tron is a compact analog envelope filter descended from the original Mu-Tron III design. Playing dynamics control the filter: the harder the pick attack, the wider the frequency sweep, creating an auto-wah response. Controls include Drive (sensitivity), Q (resonance), and a three-position Range switch (low, mid, high frequency band), plus a filter mode switch selecting Low Pass, Band Pass, or High Pass. True bypass.

Genres
citedGenres this gear is documented as being used in.
—
  • Country
  • Rock
  • Experimental
Tonal lean
  • harmonically rich
  • saturated
  • mid-forward

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