Ashdown James LoMenzo KegaDrive Bass Distortion vs Mad Professor MP-Aod
The Ashdown James LoMenzo KegaDrive Bass Distortion and the Mad Professor MP-Aod are both pedals sharing transparent, saturated. The Ashdown James LoMenzo KegaDrive Bass Distortion leans aggressive and mid-forward. The Mad Professor MP-Aod leans warm.
cited
Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.35% — somewhat different
cited
Genres both listings are associated with.- Rock
cited
Derived from overlapping tonal signals across both listings.- transparent
- saturated
cited
Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$121.68via Reverb
The Ashdown James LoMenzo signature bass distortion, part of Ashdown's LoMenzo drive line, is built for bass players who want aggressive overdrive without losing their low end. It applies distortion to a selectable midrange band while leaving the deep bass and high treble largely untouched, and a blend control mixes the distorted signal back with the clean dry bass so the tone stays full and punchy. Voiced from a mild grind to full saturated distortion, it suits hard rock and metal bass tones in the style of James LoMenzo of Megadeth and White Lion. Running into a clean bass amp, it adds growling mid presence that helps bass cut through a dense band mix.
The Mad Professor Amber Overdrive is part of the brand's color-coded overdrive lineup, offered here in a bass-specific configuration built to add harmonic drive and warmth to a bass signal without losing low-end definition. Like other Mad Professor overdrives, it favors a natural, amp-like gain character over synthetic-sounding clipping, letting the instrument's core tone come through under the drive. It is designed for bass players seeking a musical, controllable overdrive for rock and blues-rock contexts rather than an aggressive fuzz-style distortion.
cited
Genres this gear is documented as being used in.- Hard Rock
- Metal
- Blues Rock
- aggressive
- mid-forward
- full
- warm