Ashdown James LoMenzo Mega Drive vs Boss ODB-3

The Ashdown James LoMenzo Mega Drive and the Boss ODB-3 are both pedals sharing full, harmonically rich, bright. The Ashdown James LoMenzo Mega Drive leans aggressive and transparent.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

39% — somewhat different

Shared genres
citedGenres both listings are associated with.
  • Rock
  • Metal
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • full
  • harmonically rich
  • bright
  • low gain
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
17%
Price
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$118.27via Reverb

Description

The Ashdown James LoMenzo Mega Drive is a bass drive pedal designed with Megadeth bassist James LoMenzo, debuted at NAMM 2023 as an evolution of the Ashdown HyperDrive. It features sweepable highpass and lowpass filters for targeting specific frequency bands, a drive blend knob to mix clean and driven signals, adjustable input gain, and a VU meter for visual input monitoring. The circuit delivers a wide gain range from warm deep harmonic overdrive to bright cutting distortion, with full-spectrum frequency shaping rather than the HyperDrive mid-only approach. Suited for heavy rock and metal bass playing, it preserves low-end fundamental clarity while adding harmonic aggression on top. Used by James LoMenzo live with Megadeth as his primary bass drive.

The Boss ODB-3 Bass Overdrive is a dedicated bass guitar overdrive designed to add harmonic grit and distortion without losing the fundamental low-end definition essential for bass in a band mix. A balance control mixes the overdriven signal with the clean bass signal, preserving the fundamental while adding harmonic content. The two-band EQ shapes the overdriven signal independently. Delivers subtle warmth and grit at low gain through bone-crushing distortion at high settings. A long-standing standard in bass overdrive, used in rock, metal, and alternative bass contexts.

Genres
citedGenres this gear is documented as being used in.
  • Hard Rock
  • Alternative Rock
Tonal lean
  • aggressive
  • transparent
  • saturated
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