Ashdown Type 23 Three Band Filter vs Smokin' Amp Co. Micro V Envelope Filter

The Ashdown Type 23 Three Band Filter and the Smokin' Amp Co. Micro V Envelope Filter are both pedals sharing mid-forward. The Smokin' Amp Co. Micro V Envelope Filter leans dynamic.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

55% — moderately similar

Shared genres
citedGenres both listings are associated with.
  • Funk
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • mid-forward
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price

$243.31via Reverb

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Description

The Ashdown Type 23 is a three-band dynamic bass filter pedal from the UK-manufactured PRO FX series. Three frequency bands (high, mid, and low) are processed by independent voltage-controlled envelope filters that generate speech-like and funky bass tones. A single Sensitivity control sets how strongly the filters respond to playing dynamics. A switch on the pedal base varies the oscillation frequency of the selected filter for further tonal shaping. Requires 18V isolated power supply. Steel housing with anodized fascias and Neutrik jack sockets. Dimensions 63 x 108 x 120mm, 0.6kg.

The Smokin' Amp Co. Micro V Envelope Filter (V2) is a boutique envelope filter pedal that automatically sweeps a resonant filter based on playing dynamics, producing funky, vocal-like auto-wah textures without needing an expression pedal. Built by Smokin' Amp Co., a boutique builder known for constructing well-regarded circuit designs, the V2 revision reflects continued refinement of the Micro V envelope filter platform.

Genres
citedGenres this gear is documented as being used in.
  • Experimental
  • Soul
  • Alternative Rock
Tonal lean
—
  • dynamic

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