BBE Digitech Dod-Rubberneck Rubberneck Analog vs TC Electronic Triple Flashback Delay
The BBE Digitech Dod-Rubberneck Rubberneck Analog and the TC Electronic Triple Flashback Delay are both pedals sharing ambient. The BBE Digitech Dod-Rubberneck Rubberneck Analog leans modulated. The TC Electronic Triple Flashback Delay leans analog warmth and slapback.
cited
Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.48% — somewhat different
cited
Genres both listings are associated with.- Ambient
- Experimental
cited
Derived from overlapping tonal signals across both listings.- ambient
cited
Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$231.98via Reverb
The DigiTech DOD Rubberneck is a 100-percent analog delay pedal offering over one second of warm BBD-based repeats. Delay time spans 30ms to 1000ms with up to 1500ms via the Tempo footswitch. Double concentric knobs provide independent control of Modulation Rate and Depth, and separate Gain and Tone of the delay signal. A feedback loop send and return allows external effects to be inserted into the delay repeats. Two footswitches deliver customizable momentary control of oscillation and pitch sweep (Rubbernecking). Features tap tempo with subdivisions, tails control, and true bypass. 9V DC, dimensions 5.00 x 4.68 x 2.17 inches.
The TC Electronic Triple Flashback Delay runs up to three independent delay engines at once, each individually footswitchable, with a toggle to select which engine to edit and a shared tap tempo footswitch. A serial/parallel switch changes how the three interact: parallel sends the dry signal to all three delays at once for tight, rhythmically interlocking repeats, while series chains delay one into two into three for huge, cascading, three-dimensional echo trails. Sixteen selectable delay types span crisp digital, warm analog, tube, tape, lo-fi, reverse, ping-pong, and slapback voicings, plus four TonePrint slots for downloading signature delay settings from artists like Steve Morse, Guthrie Govan, and John Petrucci, all runnable simultaneously. It suits players wanting deep, layered, genuinely three-dimensional delay textures well beyond what a single or dual delay pedal can produce.
cited
Genres this gear is documented as being used in.- Electronic
- modulated
- analog warmth
- slapback
cited
Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Live
- Studio
- Live
- Studio
- Worship