Beetronics Whoctahell V2 Low Octave Beeast vs MXR Sub Machine

The Beetronics Whoctahell V2 Low Octave Beeast and the MXR Sub Machine are both pedals sharing saturated. The Beetronics Whoctahell V2 Low Octave Beeast leans transparent. The MXR Sub Machine leans octave and full. Current prices: $149 vs $177.99.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

55% — moderately similar

Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • saturated
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price

$149via Reverb

$177.99via Reverb

Description

The Beetronics Whoctahell V2 Low Octave Beeast is the second-generation WhoctaHell, miniaturized into the Beetronics Babee Series compact format. Retains the core low-octave fuzz synthesis combining one or two octaves below the input note with an overdrive and fuzz layer. The 8-bit synth-style low-octave circuit produces bass-register textures and sub-octave fuzz synthesis. The Babee format enclosure is smaller than the original WhoctaHell, reducing the pedalboard footprint significantly. Handmade in California with Beetronics bee-themed enclosure art and boutique construction. Reviewed by Guitar Pedal X as successfully miniaturizing the WhoctaHell low-octave fuzz synthesis into a more pedalboard-compatible format.

The MXR Sub Machine is an octave fuzz pedal from MXR (Dunlop), delivering a sub-octave synthesized bass note alongside the upper-register guitar signal and fuzz saturation for thick, full-frequency octave fuzz tones. The Sub Machine adds bass depth to fuzz for heavy, dense octave fuzz character in modern heavy rock and experimental applications.

Genres
citedGenres this gear is documented as being used in.
  • experimental
  • electronic
  • stoner rock
  • Experimental
Tonal lean
  • transparent
  • octave
  • full

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