Behringer BM-15M Murf Box vs Subdecay Proteus MKII Sample
The Behringer BM-15M Murf Box and the Subdecay Proteus MKII Sample are both pedals sharing modulated. The Behringer BM-15M Murf Box leans analog warmth and ambient. The Subdecay Proteus MKII Sample leans mid-forward.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.36% — somewhat different
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Genres both listings are associated with.- Experimental
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Derived from overlapping tonal signals across both listings.- modulated
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.The Behringer BM-15M Murf Box is an eight-band resonant filter sequencer modeled after the Moog MuRF (Multiple Resonant Filter Array) pedal. Eight resonant filters span the guitar frequency range and a built-in rhythm sequencer animates the filter array across 12 dynamic patterns. A pattern selector and controls for Filter Frequency, Resonance, Mix, and Envelope Speed shape how the filter sequence responds to the input signal and evolves over time. Compatible with guitar and synthesizer. 9V DC power. Priced at $129. Guitar World called it a box full of analog circuitry and rich harmonic saturation.
The Subdecay Proteus MKII is an envelope and sample/hold filter pedal from Subdecay of Oregon, built around an all-analogue OTA filter core similar to vintage Maestro units with digital control for tap tempo and mode switching. In envelope mode it tracks pick attack for classic vocal, quacking auto-wah sweeps; in sample/hold mode it steps the filter to random pitches for stuttering, bubbling, unpredictable synth-like textures locked to tap tempo. The resonance control moves the voice from subtle and rounded through to greasy, gritty, sharply peaked synth tones, and an external switch selects low-pass for a fat, sweeping character or band-pass for a thinner, more vocal and nasal response. It suits players after funk-flavoured filter movement as well as generative, rhythmic and experimental modulation textures.
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Genres this gear is documented as being used in.- Ambient
- Funk
- analog warmth
- ambient
- mid-forward