Behringer Meatball Restyled vs Smokin' Amp Co. Micro V Envelope Filter
The Behringer Meatball Restyled and the Smokin' Amp Co. Micro V Envelope Filter are both pedals sharing dynamic. The Behringer Meatball Restyled leans octave. The Smokin' Amp Co. Micro V Envelope Filter leans mid-forward.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.50% — somewhat different
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Genres both listings are associated with.- Funk
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Derived from overlapping tonal signals across both listings.- dynamic
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$119via Reverb
The Behringer Meatball Restyled is an analog envelope filter pedal modeled after the legendary Lovetone Meatball, a cult-classic filter unit from the 1990s. Offers Low-Pass, Band-Pass, and High-Pass filter types with four filter modes for varied tonal characters. An FX send and return loop allows inserting additional effects (drive, octave, etc.) into the filter signal path. Dual expression pedal inputs provide simultaneous control over filter parameters via CV or expression pedal. Threshold and sensitivity controls for dynamic filter response. 9V DC, high current draw above 400mA; power supply included. True bypass.
The Smokin' Amp Co. Micro V Envelope Filter (V2) is a boutique envelope filter pedal that automatically sweeps a resonant filter based on playing dynamics, producing funky, vocal-like auto-wah textures without needing an expression pedal. Built by Smokin' Amp Co., a boutique builder known for constructing well-regarded circuit designs, the V2 revision reflects continued refinement of the Micro V envelope filter platform.
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Genres this gear is documented as being used in.- Experimental
- Alternative Rock
- octave
- mid-forward