Behringer The Flange vs Death By Audio Moonbeam Stereo Multi-Stage Phaser
The Behringer The Flange and the Death By Audio Moonbeam Stereo Multi-Stage Phaser are both pedals. The Behringer The Flange leans analog warmth and lush. The Death By Audio Moonbeam Stereo Multi-Stage Phaser leans modulated.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.35% — somewhat different
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Genres both listings are associated with.- Experimental
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$250via Reverb
This entry covers a Behringer flanger pedal marketed simply as The Flange, most likely referring to Behringer's The Flange With No Name, an analog circuit built as an homage to Lovetone's revered 1990s Flange With No Name, one of the most sought-after and expensive boutique modulation pedals of its era. Behringer's version brings that lush, warping analog flange character to a much more accessible price point, going beyond standard flanging to blend in elements of phaser and tremolo, with dual signal paths, an onboard effects loop, CV connectivity, and a mono-to-stereo switch giving it considerably more sonic range than a typical single-mode flanger pedal.
The Death By Audio Moonbeam Stereo Multi-Stage Phaser houses two fully analog 6-stage phase shifter engines delivering independent stereo phase shifting. The dual analog phase shifter architecture produces wide, deep stereo phaser tones associated with high-stage analog phase circuits. 9V DC power. Reviewed by Premier Guitar. Brooklyn boutique construction from Death By Audio.
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Genres this gear is documented as being used in.- Alternative Rock
- Post-Rock
- analog warmth
- lush
- modulated