Behringer UC200 Stereo Chorus vs TC Electronic Stereo Chorus Flanger

The Behringer UC200 Stereo Chorus and the TC Electronic Stereo Chorus Flanger are both pedals sharing modulated, shimmer, low gain. The Behringer UC200 Stereo Chorus leans warm and analog warmth.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

48% — somewhat different

Shared genres
citedGenres both listings are associated with.
  • Alternative Rock
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • modulated
  • shimmer
  • low gain
  • lush
  • full
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
17%
Price

$28.90via Reverb

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Description

The Behringer UC200 Ultra Chorus is a stereo analog chorus pedal. Controls include Level, Tone, Rate, and Depth for comprehensive chorus parameter control. Separate stereo outputs allow spreading the chorus signal to two amplifiers or recording channels. True bypass. 9V battery or DC power supply. Part of Behringer effects range providing stereo chorus tones for guitarists who want warm analog-style modulation at accessible price points.

The TC Electronic Stereo Chorus Flanger (SCF) is an analog modulation pedal offering both chorus and flanger voices, widely regarded among the classic analog chorus circuits for its warm, natural character with clear, focused high-mid presence rather than the more washed, generic tone of typical chorus pedals. Its chorus is thick and lush without overwhelming the dry signal, capable of subtle shimmer, convincing 12-string-electric doubling, and trippy faux-rotary swirl that opens up dramatically in stereo. The flanger side ranges from a huge, jet-plane sweep down to a mild, gentle roar, with an intensity control that ramps up a hollow, metallic emphasis in the regeneration. A low noise floor keeps both effects clean even at higher settings.

Genres
citedGenres this gear is documented as being used in.
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  • Electronic
Tonal lean
  • warm
  • analog warmth
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Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Busking
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