Black Arts Toneworks Destroyer V2 vs Keeley Loomer
The Black Arts Toneworks Destroyer V2 and the Keeley Loomer are both pedals sharing fuzzy, sustaining. The Black Arts Toneworks Destroyer V2 leans high gain and tight. The Keeley Loomer leans lush.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.45% — somewhat different
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Genres both listings are associated with.- Noise Rock
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Derived from overlapping tonal signals across both listings.- fuzzy
- sustaining
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$254.15via Reverb
The Black Arts Toneworks Destroyer V2 combines the Ritual V2 and Oath circuits in a unified dual-mode enclosure, spanning from a controllable high-gain fuzz wall through to a savage, preamp-style annihilator. The Ritual V2 side provides aggressive but manageable high-gain fuzz with extended sustain, while the Oath adds extreme compressed distortion with a more compressed and chaotic high-gain character. Designed for extreme metal, doom, and noise-rock applications where raw sonic aggression is the primary requirement.
The Keeley Loomer is a fuzz and reverb combination pedal inspired by the shoegaze and noise rock tone of bands like My Bloody Valentine, specifically Kevin Shields's combination of heavy fuzz and saturated reverb. The fuzz section delivers dense, harmonically complex fuzz sustain while the reverb section provides lush, saturated reverb decay. The two effects run simultaneously, producing the wall-of-sound quality associated with shoegaze guitar. Named as a tribute to My Bloody Valentine's 1991 album Loveless.
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Genres this gear is documented as being used in.- Metal
- Shoegaze
- high gain
- tight
- lush