Black Arts Toneworks Destroyer V2 vs TC Electronic Magus Pro Distortion
The Black Arts Toneworks Destroyer V2 and the TC Electronic Magus Pro Distortion are both pedals. The Black Arts Toneworks Destroyer V2 leans high gain and fuzzy.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.32% — somewhat different
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$31.90via Reverb
The Black Arts Toneworks Destroyer V2 combines the Ritual V2 and Oath circuits in a unified dual-mode enclosure, spanning from a controllable high-gain fuzz wall through to a savage, preamp-style annihilator. The Ritual V2 side provides aggressive but manageable high-gain fuzz with extended sustain, while the Oath adds extreme compressed distortion with a more compressed and chaotic high-gain character. Designed for extreme metal, doom, and noise-rock applications where raw sonic aggression is the primary requirement.
The TC Electronic Magus Pro Distortion is a high-gain distortion pedal from TC Electronic of Aarhus, Denmark, delivering heavy, harmonically rich distortion with expanded control options over the standard Magus in TC Electronic's accessible format.
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Genres this gear is documented as being used in.- Metal
- Noise Rock
- Electronic
- high gain
- fuzzy
- sustaining
- tight