Electro-Harmonix Micro Q-Tron Envelope Filter vs Cry Baby Dunlop Cry Baby 95Q
The Electro-Harmonix Micro Q-Tron Envelope Filter and the Cry Baby Dunlop Cry Baby 95Q are both pedals. The Electro-Harmonix Micro Q-Tron Envelope Filter leans dynamic. The Cry Baby Dunlop Cry Baby 95Q leans mid-forward.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.42% — somewhat different
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$77.19via Reverb
The Electro-Harmonix Micro Q-Tron is a miniaturized envelope filter pedal delivering auto-wah and funky filter effects triggered by picking attack. Features Q, Volume, and Mode controls with three filter mode selections: Band-Pass Filter (BPF), Low-Pass Filter (LPF), and High-Pass Filter (HPF). The Q control adjusts the resonance and sensitivity of the filter sweep. A smaller, more pedalboard-friendly version of the Q-Tron, suited for funk, soul, R&B, and expressive rock or bass playing.
The Dunlop Cry Baby 95Q is a wah pedal adding a variable Q control to the classic GCB95 wah circuit. The Q knob adjusts the filter resonance and bandwidth of the wah sweep, allowing adjustment from wide, smooth wah tones through narrow, sharp, vocal character. Also features a boost button for additional volume during solos. Delivers the classic Cry Baby wah character with the added tonal flexibility of the Q control. Based on the GCB95 circuit.
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Genres this gear is documented as being used in.- Rock
- Soul
- Funk
- funk
- soul
- dynamic
- mid-forward