Carl Martin Greg Howe Lick Box vs Mad Professor Stone Grey Distortion
The Carl Martin Greg Howe Lick Box and the Mad Professor Stone Grey Distortion are both pedals sharing tight, high gain, transparent. The Carl Martin Greg Howe Lick Box leans sustaining. The Mad Professor Stone Grey Distortion leans bright. Current prices: $226.26 vs $119.99.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.36% — somewhat different
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Derived from overlapping tonal signals across both listings.- tight
- high gain
- transparent
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$226.26via Reverb
$119.99via Reverb
The Carl Martin Greg Howe Lick Box is a signature overdrive and preamp pedal created in collaboration with fusion guitarist Greg Howe, designed to deliver the high-gain, articulate preamp character needed for Greg Howe's fast, technique-driven fusion guitar style. Provides high-headroom, clarity-preserving overdrive character that maintains note definition and pick attack at high gain settings. Designed for players demanding studio-quality clarity and harmonic precision alongside significant gain. Made in Denmark by Carl Martin.
The Mad Professor Stone Grey Distortion is a high-gain distortion pedal with Volume, Distortion, and Tone controls, the Tone acting as a boost/cut shelving EQ similar to a bright switch. It is built to retain note clarity and a tight low end even at extreme gain, staying usable on extended-range guitars such as seven, eight, and nine strings without turning to mud. Lower Distortion settings behave more like an overdrive, while higher settings deliver a fierce, high-gain attack, making it a distortion pedal that can also function as an overdrive rather than only excelling at one end of the gain range. It is designed to add drive on top of an amp's own voicing rather than overriding it.
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Genres this gear is documented as being used in.- Progressive Rock
- Metal
- Hard Rock
- sustaining
- bright