Carl Martin Ottawa vs Smokin' Amp Co. Micro V Envelope Filter
The Carl Martin Ottawa and the Smokin' Amp Co. Micro V Envelope Filter are both pedals sharing dynamic. The Carl Martin Ottawa leans analog warmth. The Smokin' Amp Co. Micro V Envelope Filter leans mid-forward.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.59% — moderately similar
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Genres both listings are associated with.- Funk
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Derived from overlapping tonal signals across both listings.- dynamic
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$150.88via Reverb
The Carl Martin Ottawa is an analog optical envelope filter pedal delivering classic auto-wah and filter sweep effects without a treadle. Features three selectable filter modes: High Pass (HP), Band Pass (BP), and Low Pass (LP) for different frequency response characters. Q control shapes resonance and filter sweep width. Attack and Tone controls adjust filter response timing and high-frequency content. Current draw approximately 14mA. Danish boutique analog construction. Suited for funk, soul, and R&B guitar and bass players seeking touch-sensitive auto-wah tones.
The Smokin' Amp Co. Micro V Envelope Filter (V2) is a boutique envelope filter pedal that automatically sweeps a resonant filter based on playing dynamics, producing funky, vocal-like auto-wah textures without needing an expression pedal. Built by Smokin' Amp Co., a boutique builder known for constructing well-regarded circuit designs, the V2 revision reflects continued refinement of the Micro V envelope filter platform.
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Genres this gear is documented as being used in.- Soul
- Alternative Rock
- analog warmth
- mid-forward