Caroline Guitar Company Crom Hi-Gain Fuzzstortion vs Fortin Amplification 33
The Caroline Guitar Company Crom Hi-Gain Fuzzstortion and the Fortin Amplification 33 are both pedals sharing tight. The Caroline Guitar Company Crom Hi-Gain Fuzzstortion leans fuzzy and aggressive. The Fortin Amplification 33 leans high gain.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.32% — somewhat different
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Derived from overlapping tonal signals across both listings.- tight
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$174.99via Reverb
The Caroline Guitar Company Crom is a hi-gain fuzzstortion pedal from the Charleston, South Carolina builder based on a BC184 transistor Super Tone Bender-style circuit. It features a Sword control for gain and a Mountain control for tone that interact in a tweed amp-inspired way, emphasizing a mid-forward rather than scooped character. A Turbo switch engages a room-filling boost that supplements the fuzz voice with additional gain and saturation. Suited for heavy blues, hard rock, and players seeking aggressive vintage silicon fuzz with modern control flexibility.
The Fortin Amplification 33 is a gain boost and preamp pedal from Canadian boutique metal gear specialist Fortin Amplification, designed specifically to tighten, enhance, and drive high-gain amplifiers and distortion pedals for modern metal applications. The 33 adds gain and high-frequency definition to the guitar signal, producing a tighter, more articulate attack on distorted amplifiers and helping single-notes cut through the dense low-end of heavy metal. Jeff Loomis, Mark Holcomb, and other technical metal players have used the Fortin 33 to push their amplifier front ends for tighter, more defined high-gain tones.
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Genres this gear is documented as being used in.- Blues
- Hard Rock
- Metal
- fuzzy
- aggressive
- mid-forward
- sustaining
- transparent
- high gain