Catalinbread Giygas vs Tru-Fi Colordriver 18V Version
The Catalinbread Giygas and the Tru-Fi Colordriver 18V Version are both pedals sharing fuzzy, saturated. The Catalinbread Giygas leans octave. The Tru-Fi Colordriver 18V Version leans full and crunchy. Current prices: $129.99 vs $209.95.
cited
Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.43% — somewhat different
cited
Derived from overlapping tonal signals across both listings.- fuzzy
- saturated
cited
Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$129.99via Reverb
$209.95via Reverb
The Catalinbread Giygas is a Super Fuzz-inspired fuzz pedal from Portland, Oregon, based on the Univox Super Fuzz circuit that produces the distinctive octave-fuzz character of the late 1960s and 1970s. The Super Fuzz circuit generates both fundamental and octave-up frequencies simultaneously, producing a massive, harmonically complex fuzz with a distinct octave shimmer. Associated with The Who's Pete Townshend and the classic Super Fuzz tones of hard psych and early heavy rock. Named after the RPG villain GIYGAS. Made in Portland by Catalinbread.
The Tru-Fi Colordriver is a USA-made overdrive and fuzz pedal inspired by the vintage Colorsound Power Boost and Overdriver, the pedal used by David Gilmour, Jeff Beck, and Marc Bolan in the 1970s. It adds a master volume control the vintage originals lacked, taming their notoriously massive output, and this 18V version internally boosts a standard 9V supply for extra headroom. Below halfway on the drive knob it produces lower-gain overdrive tones; past halfway it moves into classic British fuzz territory with huge, Fuzz Face-like saturation. Reviewers describe it as gigantic-sounding in the vintage fuzz tradition but in a far more pedalboard-friendly size than the original Colorsound units. Suited to classic rock and blues-rock players chasing Gilmour or Beck style overdrive-into-fuzz tones.
cited
Genres this gear is documented as being used in.- Alternative Rock
- Classic Rock
- Blues Rock
- octave
- full
- crunchy