Crate V18-212 vs Suhr SL67 MKII

The Crate V18-212 and the Suhr SL67 MKII are both amplifiers sharing bright, saturated, high headroom. The Crate V18-212 leans transparent and edge of breakup. The Suhr SL67 MKII leans full and mid-forward.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

52% moderately similar

Shared genres
citedGenres both listings are associated with.
  • Classic Rock
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • bright
  • saturated
  • high headroom

Crate V18-212

Crate · amplifier

Suhr SL67 MKII

Suhr · amplifier

Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price

$250via Reverb

Description

The Crate V18-212 is an 18-watt all-tube combo amplifier from Crate Vintage Club series, featuring two 12-inch speakers. EL84 output tubes deliver warm, compressed vintage British character. Two channels — Clean and Drive — provide clean headroom and natural tube overdrive. The 2x12 cabinet spreads sound widely across a stage or room. Crate Vintage Club amps were widely used as affordable all-tube alternatives for players who wanted genuine valve tone on a budget.

The Suhr SL67 MKII is a 50-watt, hand-wired amp head running 3x12AX7 preamp tubes and 2xEL34 power tubes, offering an OFF/HI/LOW power select switch, Presence, Bass, Middle, Treble, and dual Volume controls, plus FAT and BST toggle switches and a 3-way BRT switch across four inputs. Modeled on the plexi-era British voicing associated with 1967 Marshall circuits, it's the smaller-output sibling to the SL68 MKII, aimed at players wanting classic British amp character with Suhr's hand-wired build quality at moderate stage volume.

Genres
citedGenres this gear is documented as being used in.
  • Country
  • Blues
  • Alternative Rock
  • Hard Rock
  • Blues Rock
Tonal lean
  • transparent
  • edge of breakup
  • compressed
  • full
  • mid-forward
Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Live
  • Practice
  • Studio
  • Live
  • Studio

Related searches

Crate V18-212 vs Suhr SL67 MKII — Shared Character & Differences — NodeTone