Cry Baby Dunlop Akira Takasaki Cry Baby Fuzz Wah vs Dunlop Cry Baby
The Cry Baby Dunlop Akira Takasaki Cry Baby Fuzz Wah and the Dunlop Cry Baby are both pedals sharing dynamic, mid-forward. The Cry Baby Dunlop Akira Takasaki Cry Baby Fuzz Wah leans aggressive.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.43% — somewhat different
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Genres both listings are associated with.- Rock
- Metal
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Derived from overlapping tonal signals across both listings.- dynamic
- mid-forward
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$85via Reverb
The Dunlop Akira Takasaki Cry Baby Fuzz Wah is a signature model built with Japanese metal guitarist Akira Takasaki of Loudness, combining a classic Cry Baby wah sweep with an onboard fuzz that can be engaged or disengaged from the circuit, for aggressive, fuzzy wah tones in one pedal. A side-mounted low-frequency sweep control shapes the wah's frequency range, and auto-return switching lets players snap instantly between dry and effected tone mid-performance without a separate bypass action. Built around Takasaki's decades of heavy metal lead playing, it suits players wanting an all-out, aggressive combination of fuzz and wah rather than a subtle, clean wah voice.
The Dunlop Cry Baby GCB95 is the standard-production version of the original Cry Baby wah pedal, built around a Fasel red inductor and a halo-style pot that defines the classic late-1960s wah sweep character. It produces a midrange-focused vocal sweep that sharpens attack on distorted lead tones and adds expressive movement to clean rhythm playing. Heavily associated with the foundational wah sounds of Jimi Hendrix, Eric Clapton, Slash, and Tom Morello, it is among the best-selling and most widely used wah pedals in production. Genre fit is broad: blues, rock, funk, metal, and psychedelic rock all use this pedal's sweep as a core element.
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Genres this gear is documented as being used in.- Hard Rock
- Psychedelic Rock
- Classic Rock
- Blues Rock
- Funk
- Blues
- aggressive