Cry Baby Jimi Hendrix Wah vs Morley MO PFW 2

The Cry Baby Jimi Hendrix Wah and the Morley MO PFW 2 are both pedals sharing dynamic, full. The Morley MO PFW 2 leans fuzzy.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

46% somewhat different

Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • dynamic
  • full
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price

$370.38via Reverb

Description

The Dunlop Cry Baby JH-1 Jimi Hendrix Wah is based on the modified GCB95 circuit that Jimi Hendrix had his tech alter before performances, shifting the wah frequency range to a slightly lower pitch position for a fatter, more open sound. Produces the distinctive Hendrix wah character associated with classic recordings and live performances. Loaded with a Fasel inductor to match the vintage original character. Uses germanium transistors for the authentic vintage tone associated with Hendrix's wah use.

The Morley 20/20 Power Fuzz Wah pairs Morley's widest frequency wah sweep with a built-in fuzz circuit for monstrous, aggressive fuzz-wah tones in a compact switchless enclosure. It offers two fuzz voices: a Vintage Fuzz mode that emulates the old-school ripped-speaker sound of the original MPSA12 transistors, and a Modern Fuzz mode that is tighter and more like guitar distortion. The fuzz can be used on its own as a dirt box or combined with the sweeping wah for thick, psychedelic, vocal textures. Morley's electro-optical switchless design engages on the glow-in-the-dark treadle and bypasses when you step off, with a true tone buffer and tank-like build. It suits rock, metal, and psychedelic players chasing expressive, gnarly fuzz-wah in a rugged, pedalboard-friendly unit.

Genres
citedGenres this gear is documented as being used in.
  • Blues Rock
  • Metal
  • Rock
Tonal lean
  • fuzzy

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Cry Baby Jimi Hendrix Wah vs Morley MO PFW 2 — Shared Character & Differences — NodeTone