Dan Armstrong Orange Squeezer vs Jackson Audio Bloom MIDI V2

The Dan Armstrong Orange Squeezer and the Jackson Audio Bloom MIDI V2 are both pedals sharing transparent. The Dan Armstrong Orange Squeezer leans dynamic and smooth. The Jackson Audio Bloom MIDI V2 leans compressed.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

45% — somewhat different

Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • transparent
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
17%
0%
Price

$279via Reverb

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Description

The Dan Armstrong Orange Squeezer is an early FET-based compressor from the 1970s, notable for its minimalist single-knob design and its original form as a small unit that plugged directly into the guitar jack. It produces smooth, musical compression that adds sustain and evens out picking dynamics without an obvious pumping or breathing artifact, staying relatively transparent to the underlying tone. Its simplicity made it a favorite studio tool for adding subtle sustain and consistency to clean and lightly driven guitar and bass parts. It suits players wanting classic, understated vintage compression rather than an obviously heavy-handed effect.

The Jackson Audio Bloom V2 in anodized black with MIDI is a boutique optical compressor, active EQ, and clean boost offering six studio-grade compression modes and full MIDI control. Its optical limiting circuit, inspired by vintage tube compressors, is transparent, adding a rounded organic glow and sustain rather than obvious squash. The EQ shapes tone effectively and is often left on, while the transparent boost adds light grit and drives downstream overdrives. The six modes span gentle always-on leveling to aggressive compression, suiting clean funk, country, worship, ambient, and studio work, with MIDI preset recall for larger rigs. It is housed in a rugged stainless steel enclosure.

Genres
citedGenres this gear is documented as being used in.
  • country pop
  • country
  • Funk
  • Country
  • Ambient
Tonal lean
  • dynamic
  • smooth
  • compressed

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