Divided by 13 FTR 37 vs Fender Tone Master Princeton Reverb

The Divided by 13 FTR 37 and the Fender Tone Master Princeton Reverb are both amplifiers sharing transparent. The Divided by 13 FTR 37 leans harmonically rich and edge of breakup. The Fender Tone Master Princeton Reverb leans warm.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

40% — somewhat different

Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • transparent
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
27%
0%
Description

The Divided By 13 FTR 37 is a 37-watt all-tube amplifier from Divided By 13, combining Fred Taccone tremolo and reverb character at a stage-capable wattage. FTR denotes the Fred voicing alongside integrated Tremolo and Reverb. Hand-wired point-to-point construction at 37 watts provides genuine stage volume while retaining the touch sensitivity and harmonic complexity the Divided By 13 brand is known for. Suited to players who need boutique D13 feel in a live-capable format without microphone assistance.

The Fender Tone Master Princeton Reverb is a modern reissue of the classic blackface Princeton Reverb, using Fender's Tone Master digital modeling platform to recreate the original tube amp's tone and feel in a lighter, more consistent solid-state package. It reproduces the beloved Princeton Reverb voicing, including its onboard spring reverb and vibrato, while adding practical modern features like an attenuated output and balanced XLR out for direct recording.

Genres
citedGenres this gear is documented as being used in.
  • Rock
  • Country
  • Blues
  • Americana
  • Alternative Rock
Tonal lean
  • harmonically rich
  • edge of breakup
  • compressed
  • warm
Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Live
  • Studio
  • Practice
  • Studio
  • Worship
  • Silent Recording

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