dpFX Pedals Variable Low Pass Filter vs Subdecay Proteus MKII Sample
The dpFX Pedals Variable Low Pass Filter and the Subdecay Proteus MKII Sample are both pedals sharing low gain. The Subdecay Proteus MKII Sample leans modulated and mid-forward.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.32% — somewhat different
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Derived from overlapping tonal signals across both listings.- low gain
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.This entry covers the dpFX Pedals Variable Low Pass Filter, a boutique filter pedal with a sweepable cutoff range spanning roughly 220 Hz up to 16.5 kHz based on its own listed specifications, letting players progressively roll off high frequencies anywhere from a subtle darkening of the top end to an extreme, muffled low-pass effect. A low-pass filter like this works by allowing frequencies below the cutoff point to pass through largely unaffected while attenuating everything above it, giving guitarists and bassists a tone-shaping tool distinct from a standard passive tone control, with a far wider and more precisely adjustable sweep range than most guitars' onboard controls offer.
The Subdecay Proteus MKII is an envelope and sample/hold filter pedal from Subdecay of Oregon, built around an all-analogue OTA filter core similar to vintage Maestro units with digital control for tap tempo and mode switching. In envelope mode it tracks pick attack for classic vocal, quacking auto-wah sweeps; in sample/hold mode it steps the filter to random pitches for stuttering, bubbling, unpredictable synth-like textures locked to tap tempo. The resonance control moves the voice from subtle and rounded through to greasy, gritty, sharply peaked synth tones, and an external switch selects low-pass for a fat, sweeping character or band-pass for a thinner, more vocal and nasal response. It suits players after funk-flavoured filter movement as well as generative, rhythmic and experimental modulation textures.
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Genres this gear is documented as being used in.- bedroom pop
- funk
- Experimental
- Funk
- modulated
- mid-forward
- gritty