Dunlop 535Q Wah vs Dunlop Cry Baby Junior CBJ95SB
The Dunlop 535Q Wah and the Dunlop Cry Baby Junior CBJ95SB are both pedals sharing mid-forward, dynamic, full. The Dunlop 535Q Wah leans transparent. The Dunlop Cry Baby Junior CBJ95SB leans aggressive and bright.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.46% — somewhat different
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Genres both listings are associated with.- Funk
- Blues
- Rock
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Derived from overlapping tonal signals across both listings.- mid-forward
- dynamic
- full
Dunlop 535Q Wah
Dunlop · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$249.76via Reverb
The Dunlop Cry Baby 535Q is a versatile multi-wah, often called a swiss army knife of wah pedals for its wide tonal range. A six-position voicing switch shifts the sweep from narrow and dark to broad and subtle, while a range selector spans defined low end to screaming high harmonics. Its Variable Q control sets the sharpness of the wah, from gentle, mild weeps to vocal-like, refined sweeps. An onboard boost adds up to 16 dB to drive the signal chain harder and push an amp into natural distortion. Capable of nearly any classic wah tone, it suits funk, rock, blues, and lead playing where expressive, customizable wah voicing matters.
The Dunlop CBJ95 Cry Baby Junior, here in special edition black, is Dunlop's first wah engineered from the ground up for pedalboards, with a compact eight inch chassis and front mounted jacks so it slots into crowded boards. Three instantly selectable voicings, H, M and L, span the full wah spectrum, with H delivering the Cry Baby's trademark aggressive, treble forward snarl, M providing a midrange heavy growl reminiscent of vintage wahs, and L yielding a warm, bassy purr ideal for rhythm. It suits rock, funk, blues and lead players who want classic Cry Baby wah tones with modern voicing flexibility in a space saving, gig ready format.
- transparent
- aggressive
- bright