Dunlop 535Q Wah vs Dunlop Dimebag Cry Baby Wah

The Dunlop 535Q Wah and the Dunlop Dimebag Cry Baby Wah are both pedals sharing mid-forward, dynamic. The Dunlop 535Q Wah leans transparent. The Dunlop Dimebag Cry Baby Wah leans aggressive and bright.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

45% — somewhat different

Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • mid-forward
  • dynamic
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price
—

$200.20via Reverb

Description

The Dunlop Cry Baby 535Q is a versatile multi-wah, often called a swiss army knife of wah pedals for its wide tonal range. A six-position voicing switch shifts the sweep from narrow and dark to broad and subtle, while a range selector spans defined low end to screaming high harmonics. Its Variable Q control sets the sharpness of the wah, from gentle, mild weeps to vocal-like, refined sweeps. An onboard boost adds up to 16 dB to drive the signal chain harder and push an amp into natural distortion. Capable of nearly any classic wah tone, it suits funk, rock, blues, and lead playing where expressive, customizable wah voicing matters.

The Dunlop Dimebag Cry Baby From Hell is a custom-tuned wah pedal featuring an extra-wide frequency range designed around Dimebag Darrell's aggressive playing style. The pedal delivers everything from throaty growl to all-out screaming highs, with a broader sweep than standard wah pedals enabling greater expressive range at both frequency extremes. The six-way tone control shifts the frequency range up or down to adapt the wah character to different tunings, pickups, and tonal contexts. The pedal features true bypass with fasel inductors to avoid tone-sucking, and dual LEDs indicate pedal and boost-function engagement.

Genres
citedGenres this gear is documented as being used in.
  • Funk
  • Blues
  • Rock
  • Heavy Metal
  • Metal
  • Hard Rock
Tonal lean
  • transparent
  • aggressive
  • bright

Related searches