Dunlop Cry Baby vs Morley Wah
The Dunlop Cry Baby and the Morley Wah are both pedals sharing mid-forward, dynamic. The Dunlop Cry Baby leans transparent. The Morley Wah leans aggressive.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.53% — moderately similar
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Genres both listings are associated with.- Metal
- Funk
- Rock
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Derived from overlapping tonal signals across both listings.- mid-forward
- dynamic
Dunlop Cry Baby
Dunlop · pedal
Morley Wah
Morley · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$85via Reverb
The Dunlop Cry Baby GCB95 is the standard-production version of the original Cry Baby wah pedal, built around a Fasel red inductor and a halo-style pot that defines the classic late-1960s wah sweep character. It produces a midrange-focused vocal sweep that sharpens attack on distorted lead tones and adds expressive movement to clean rhythm playing. Heavily associated with the foundational wah sounds of Jimi Hendrix, Eric Clapton, Slash, and Tom Morello, it is among the best-selling and most widely used wah pedals in production. Genre fit is broad: blues, rock, funk, metal, and psychedelic rock all use this pedal's sweep as a core element.
The Morley Wah is a line of optical, switchless wah pedals known for a wide, vocal sweep, a buffered all-electronic design with no scratchy potentiometer, and a rugged, road-ready build. Because it uses an optical sensor rather than a pot, it stays quiet and reliable, and many models switch on automatically when you step on the treadle. Its sweep is broad and expressive, favored by rock and metal players for both rhythmic funk and screaming lead wah, and Mark Tremonti is among its users. It runs well in front of high-gain amps and pairs naturally with aggressive rock tones, offering a bolder, wider voice than many traditional wahs.
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Genres this gear is documented as being used in.- Psychedelic Rock
- Classic Rock
- Blues Rock
- Blues
- Electronic
- transparent
- aggressive