Dunlop Dimebag Cry Baby Wah vs Morley 20/20 Distortion WAH MTPDW Effetto Distorsione E WAH A
The Dunlop Dimebag Cry Baby Wah and the Morley 20/20 Distortion WAH MTPDW Effetto Distorsione E WAH A are both pedals sharing aggressive, dynamic, mid-forward. The Dunlop Dimebag Cry Baby Wah leans bright. The Morley 20/20 Distortion WAH MTPDW Effetto Distorsione E WAH A leans full. Current prices: $200.38 vs $170.20.
cited
Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.51% — moderately similar
cited
Genres both listings are associated with.- Metal
cited
Derived from overlapping tonal signals across both listings.- aggressive
- dynamic
- mid-forward
cited
Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$200.38via Reverb
$170.20via Reverb
The Dunlop Dimebag Cry Baby From Hell is a custom-tuned wah pedal featuring an extra-wide frequency range designed around Dimebag Darrell's aggressive playing style. The pedal delivers everything from throaty growl to all-out screaming highs, with a broader sweep than standard wah pedals enabling greater expressive range at both frequency extremes. The six-way tone control shifts the frequency range up or down to adapt the wah character to different tunings, pickups, and tonal contexts. The pedal features true bypass with fasel inductors to avoid tone-sucking, and dual LEDs indicate pedal and boost-function engagement.
The Morley 20/20 Power Distortion Wah pairs a sweeping wah with a built-in distortion circuit in a compact, pedalboard-friendly enclosure from Morley's 50th-anniversary 20/20 series. It uses Morley's signature electro-optical, switchless design, engaging when you step on the glow-in-the-dark treadle and bypassing when you step off, with no pots to wear out and silent, pop-free operation. The wah and distortion can be used together for thick, aggressive, vocal lead tones or the distortion can run on its own as a dirt box. With a wide frequency sweep and true tone buffer circuitry, it delivers expressive, cutting wah tones for rock and metal lead work. Built like a tank with glow-in-the-dark details, it suits players wanting combined drive and wah in one rugged, gig-ready unit.
cited
Genres this gear is documented as being used in.- Heavy Metal
- Hard Rock
- Rock
- Classic Rock
- bright
- full