Dunlop EC95 Eric Clapton Cry Baby Wah vs Jam Pedals Wahcko
The Dunlop EC95 Eric Clapton Cry Baby Wah and the Jam Pedals Wahcko are both pedals sharing mid-forward, dynamic. The Jam Pedals Wahcko leans smooth.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.52% — moderately similar
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Genres both listings are associated with.- Rock
- Funk
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Derived from overlapping tonal signals across both listings.- mid-forward
- dynamic
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$428.02via Reverb
The Dunlop EC95 Eric Clapton Cry Baby Wah is a signature, limited-edition version of the classic GCB95 Cry Baby, delivering the same benchmark midrange-focused, vocal wah sweep as the standard model rather than a re-voiced circuit. It has no additional controls beyond the standard Cry Baby design, focused purely on capturing the classic wah tone Clapton used to add expressive depth to his 1980s recordings, housed in a distinctive gold-plated casting as a collector's edition. It suits blues and rock players wanting the classic, foundational Cry Baby wah sweep in a Clapton-associated signature edition.
The JAM Pedals Wahcko is a boutique, hand-painted wah with a vocal, musical sweep and a Bass control to tune low-end response. Used by Steve Lukather, it offers a smooth, expressive sweep from classic vintage wah to a more aggressive voice, suited to rock and fusion lead and funk rhythm. Its boutique build and tunable voicing make it a refined alternative to standard wahs.
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Genres this gear is documented as being used in.- Blues
- Metal
- Classic Rock
- Alternative Rock
- smooth