Dunlop JH-3S Jimi Hendrix Signature System Octave vs MXR M267 Octavio Fuzz
The Dunlop JH-3S Jimi Hendrix Signature System Octave and the MXR M267 Octavio Fuzz are both pedals sharing sustaining. The Dunlop JH-3S Jimi Hendrix Signature System Octave leans fuzzy and modulated.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.50% — moderately similar
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Derived from overlapping tonal signals across both listings.- sustaining
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$199via Reverb
The Dunlop JH-3S is the Jimi Hendrix Octave pedal component from the Jim Dunlop Jimi Hendrix signature series, modeled on the Roger Mayer Octavia octave fuzz used by Hendrix to create the singing upper-octave lead tones heard on recordings including Purple Haze and One Rainy Wish. The JH-3S replicates the Octavia circuit that adds a strong upper-octave harmonic to the fuzz signal, producing the distinctive singing overtone effect most audible on single-note lines in the upper neck register. The pedal is part of Dunlop ongoing commitment to recreating Hendrix-approved signal chain effects.
The MXR M267 Octavio Fuzz is a recreation of the Tycobrahe Octavia, the vintage octave fuzz used by Jimi Hendrix on Purple Haze and Fire, delivering the characteristic upper octave fuzz saturation that defined Hendrix's most experimental lead work. The Octavio produces an upper octave above the fundamental note, creating a complex, singing lead tone that became one of the most iconic sonic signatures in rock guitar history.
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Genres this gear is documented as being used in.- experimental
- Experimental
- Rock
- fuzzy
- modulated