Dunlop JHM S1 vs Dunlop PSF30

The Dunlop JHM S1 and the Dunlop PSF30 are both pedals sharing fuzzy, silicon, aggressive. The Dunlop JHM S1 leans dynamic. The Dunlop PSF30 leans saturated and sustaining.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

48% — somewhat different

Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • fuzzy
  • silicon
  • aggressive
  • bright
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price
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$199.99via Reverb

Description

The Dunlop JHMS1 is part of the Authentic Hendrix '68 Shrine Series, a Fuzz Face Distortion in a mini enclosure that captures two sides of Jimi Hendrix's fuzz tone via a toggle switch. One position delivers the aggressive, cutting silicon based crunch Hendrix favored later in his career, while the other offers the warm, smooth saturation of the germanium fuzz he used in his early years. This gives players both classic Fuzz Face voices in a single compact pedal. It suits psychedelic, classic rock and blues rock players who want authentic Hendrix era Fuzz Face tones, from smooth, woolly germanium warmth to bright, biting silicon snarl, in a pedalboard friendly format.

The Dunlop PSF30 Screamadelica Fuzz Face is a limited-edition silicon Fuzz Face Distortion celebrating the 30th anniversary of Primal Scream's landmark 1991 album Screamadelica. It delivers saturated silicon fuzz tones — aggressive, harmonically dense, and suited to the distorted, psychedelic character of early 1990s alternative and electronic-influenced rock. The circular enclosure carries the iconic Screamadelica sun-face artwork. True bypass.

Genres
citedGenres this gear is documented as being used in.
  • Classic Rock
  • Blues Rock
  • Electronic
  • Alternative Rock
  • Shoegaze
  • Rock
Tonal lean
  • dynamic
  • saturated
  • sustaining
  • harmonically rich
Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Busking
  • Live
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