Dunlop JHM S1 vs Fender Angry Fuzz

The Dunlop JHM S1 and the Fender Angry Fuzz are both pedals sharing silicon, bright. The Dunlop JHM S1 leans crunchy and fuzzy. The Fender Angry Fuzz leans aggressive.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

43% somewhat different

Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • silicon
  • bright
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price

$140.90via Reverb

Description

The Dunlop JHMS1 is part of the Authentic Hendrix '68 Shrine Series, a Fuzz Face Distortion in a mini enclosure that captures two sides of Jimi Hendrix's fuzz tone via a toggle switch. One position delivers the aggressive, cutting silicon based crunch Hendrix favored later in his career, while the other offers the warm, smooth saturation of the germanium fuzz he used in his early years. This gives players both classic Fuzz Face voices in a single compact pedal. It suits psychedelic, classic rock and blues rock players who want authentic Hendrix era Fuzz Face tones, from smooth, woolly germanium warmth to bright, biting silicon snarl, in a pedalboard friendly format.

The Fender Angry Fuzz is a silicon transistor fuzz pedal from Fender, part of their Hammertone series, delivering a buzzy, aggressive fuzz character with wide Fuzz and Tone controls and a voice switch that shifts the frequency emphasis of the fuzz texture. The Angry Fuzz uses silicon transistors to produce a bright, sharp fuzz character suited to hard rock, grunge, and heavy alternative contexts where an edgier, more aggressive fuzz texture is the goal. The voice switch adds versatility by toggling between two distinct frequency profiles within the same silicon fuzz circuit.

Genres
citedGenres this gear is documented as being used in.
  • Classic Rock
  • Blues Rock
  • Hard Rock
  • Rock
  • Grunge
  • Alternative Rock
Tonal lean
  • crunchy
  • fuzzy
  • dynamic
  • aggressive
Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Busking
  • Live

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Dunlop JHM S1 vs Fender Angry Fuzz — Shared Character & Differences — NodeTone