Dunlop AT95 Akira Takasaki Cry Baby Fuzz Wah vs Dunlop MDU JCT95
The Dunlop AT95 Akira Takasaki Cry Baby Fuzz Wah and the Dunlop MDU JCT95 are both pedals sharing dynamic, mid-forward. The Dunlop AT95 Akira Takasaki Cry Baby Fuzz Wah leans saturated and high gain. The Dunlop MDU JCT95 leans fuzzy and transparent. Current prices: $150.68 vs $315.99.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.45% — somewhat different
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Genres both listings are associated with.- Metal
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Derived from overlapping tonal signals across both listings.- dynamic
- mid-forward
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$150.68via Reverb
$315.99via Reverb
The Dunlop AT95 Akira Takasaki Cry Baby Fuzz Wah is a signature pedal for Akira Takasaki, guitarist of Japanese heavy metal band Loudness. It combines a Cry Baby wah circuit with a switchable onboard fuzz, custom-voiced for a low-frequency sweep tailored to Takasaki's fast, aggressive playing style. Auto-return switching engages the wah only when the pedal is depressed, and LED indicators show the active status of fuzz and wah independently. Designed for heavy metal, shred, and high-gain lead playing.
The Dunlop JCT95 Justin Chancellor Cry Baby is a signature bass wah designed for the Tool bassist, built to handle low end while delivering expressive, vocal wah sweeps. It offers two switchable voicings plus a vintage fuzz and a bypass delay feature, letting bassists move between classic wah tones and more aggressive, effected textures. Voiced to preserve bass fundamentals while still cutting through, it suits progressive, alternative and metal bass players who want dynamic, dramatic wah and grit in the style of Tool's atmospheric, rhythmic basslines. The combination of dual voicings, fuzz and delay makes it a flexible expression tool tailored to modern bass playing.
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Genres this gear is documented as being used in.- Blues
- Classic Rock
- Alternative Rock
- saturated
- high gain
- sustaining
- fuzzy
- transparent