Dunlop MXR SUB Machine vs Electronic Audio Experiments Eldritch Blast V3

The Dunlop MXR SUB Machine and the Electronic Audio Experiments Eldritch Blast V3 are both pedals sharing octave. The Dunlop MXR SUB Machine leans fuzzy and full. Current prices: $199.99 vs $249.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

46% somewhat different

Shared genres
citedGenres both listings are associated with.
  • Experimental
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • octave
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
17%
Price

$199.99via Reverb

$249via Reverb

Description

The MXR Sub Machine is a two-channel fuzz and sub-octave pedal from MXR by Jim Dunlop, combining an upper-gain fuzz channel with a sub-octave generator that drops the guitar signal one octave below pitch. The pedal features independent controls for fuzz and sub-octave level alongside a dry signal blend, allowing players to mix the three signal elements in any proportion. The Sub Machine produces dense, synth-like fuzz tones with the sub-octave adding a deep, full-frequency foundation below the fuzz. It is suited to players who want the textural complexity of a fuzz and a sub-bass element in a single enclosure without separate octave and fuzz pedals.

The Electronic Audio Experiments Eldritch Blast V3 carries forward the same octave/intermodulation fuzz generator and switchable active EQ as V2, but redesigns the Chaos toggle to oscillate, producing sub-octave glitches and atonal arpeggio-like textures rather than V2's gating effect, alongside a wider range on the More (octave-feed) control and higher overall gain and output than either the original V1 or V2. It represents the most extreme, feature-complete version in the Eldritch Blast lineage for players chasing genuinely unconventional fuzz textures.

Genres
citedGenres this gear is documented as being used in.
  • Stoner Rock
  • Rock
  • Doom Metal
  • Indie Rock
  • Metal
  • Electronic
  • Post-Rock
Tonal lean
  • fuzzy
  • full

Related searches

Dunlop MXR SUB Machine vs Electronic Audio Experiments Eldritch Blast V3 — Shared Character & Differences — NodeTone