Dunlop Uni-Vibe UV-1 Chorus vs Tinsley Audio Sir Henry Vibe
The Dunlop Uni-Vibe UV-1 Chorus and the Tinsley Audio Sir Henry Vibe are both pedals sharing modulated. The Dunlop Uni-Vibe UV-1 Chorus leans smooth.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.43% — somewhat different
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Derived from overlapping tonal signals across both listings.- modulated
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$509.82via Reverb
The Dunlop Uni-Vibe UV-1 is a reissue of the classic Shin-ei Uni-Vibe optical chorus and vibrato effect, famous for its use by Jimi Hendrix at Woodstock and by Robin Trower throughout his recordings. The UV-1 replicates the original four-stage optical phaser with LFO and photocell circuit for the characteristic liquid, watery chorus sweep. Includes expression pedal input for real-time speed control. Controls include Speed, Intensity, and Chorus/Vibrato mode switch.
The Tinsley Audio Sir Henry is a boutique uni-vibe-style pedal recreating the lush, watery, rotary-like modulation of the classic Univibe. Used by Kenny Wayne Shepherd, it delivers warm, three-dimensional chorus/vibrato sweeps evocative of Hendrix and late-60s psychedelia. It suits blues-rock and psychedelic players wanting authentic, organic uni-vibe textures.
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Genres this gear is documented as being used in.- Rock
- Blues
- Classic Rock
- Blues Rock
- smooth