Dunlop Uni-Vibe UV-1 Chorus vs Strymon Eventide TriceraChorus

The Dunlop Uni-Vibe UV-1 Chorus and the Strymon Eventide TriceraChorus are both pedals sharing modulated. The Strymon Eventide TriceraChorus leans lush and shimmer.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

50% — moderately similar

Shared genres
citedGenres both listings are associated with.
  • Rock
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • modulated
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price

$490.27via Reverb

—
Description

The Dunlop Uni-Vibe UV-1 is a reissue of the classic Shin-ei Uni-Vibe optical chorus and vibrato effect, famous for its use by Jimi Hendrix at Woodstock and by Robin Trower throughout his recordings. The UV-1 replicates the original four-stage optical phaser with LFO and photocell circuit for the characteristic liquid, watery chorus sweep. Includes expression pedal input for real-time speed control. Controls include Speed, Intensity, and Chorus/Vibrato mode switch.

The Eventide TriceraChorus is a stereo chorus pedal that pairs the lush bucket-brigade-style chorus sounds of the late 1970s and early 1980s with Eventide's signature MicroPitch detuning for deep, swirling, three-dimensional modulation. It offers rich, watery chorus across three voices, customizable detuning for added dimension, and a Swirl parameter that introduces psychedelic flanging, phasing, and Uni-Vibe-style movement and a chewy, phase-shifted throb. With stereo operation and deep control over chorus rate, depth, detune, and swirl, it ranges from classic 80s shimmer to wild, evolving modulation textures. It suits players wanting versatile, high-quality stereo chorus with vintage character and modern depth for clean rhythm, ambient layers, and lush, dimensional tones in rock, pop, and atmospheric styles.

Genres
citedGenres this gear is documented as being used in.
  • Blues
  • Classic Rock
  • Ambient
Tonal lean
—
  • lush
  • shimmer

Related searches