Dunlop Way Huge WHE701 Aqua Puss vs MXR M169 Carbon Copy Analog Delay
The Dunlop Way Huge WHE701 Aqua Puss and the MXR M169 Carbon Copy Analog Delay are both pedals sharing warm, ambient, low gain. The Dunlop Way Huge WHE701 Aqua Puss leans analog warmth. The MXR M169 Carbon Copy Analog Delay leans pristine and modulated.
cited
Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.51% — moderately similar
cited
Genres both listings are associated with.- Country
- Ambient
cited
Derived from overlapping tonal signals across both listings.- warm
- ambient
- low gain
- slapback
cited
Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$140via Reverb
The Way Huge WHE701 Aqua Puss is a pure analog delay pedal from Jeorge Tripps' Way Huge Electronics (a Dunlop company), delivering warm BBD chip analog delay with simple Delay, Regen, and Mix controls. The Aqua Puss uses a bucket brigade delay chip for naturally warm, gradually degrading repeats with the musical character of classic analog delay designs. Beloved for its simplicity, warmth, and rich analog delay tone. 9V DC power.
The MXR Carbon Copy is a bucket-brigade analog delay known for clear, warm repeats with a natural, dark-tinged decay rather than the bright trail of a digital-chip delay. Even at longer delay times it stays musical and never turns clanky or brittle, while tight, quick slapback settings suit country-style echo without muddying the attack. Its repeats fade softly and progressively, sitting behind the dry signal instead of competing with it. Up to 600 milliseconds of delay time and a straightforward delay, regen, and mix layout make it equally suited to subtle slapback and longer, ambient trails, and it remains one of the most widely used analog delays for players wanting warm, natural-sounding echo without digital clarity or complexity.
cited
Genres this gear is documented as being used in.- Electronic
- Rock
- Blues
- Soul
- analog warmth
- pristine
- modulated
cited
Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Live
- Studio
- Live
- Studio