EarthQuaker Devices Afterneath vs Walrus Audio Mako R1 Reverb MkII
The EarthQuaker Devices Afterneath and the Walrus Audio Mako R1 Reverb MkII are both pedals sharing ambient. The EarthQuaker Devices Afterneath leans fuzzy. The Walrus Audio Mako R1 Reverb MkII leans shimmer.
cited
Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.49% — somewhat different
cited
Genres both listings are associated with.- Ambient
- Experimental
- Post-Rock
cited
Derived from overlapping tonal signals across both listings.- ambient
cited
Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$318via Reverb
The EarthQuaker Devices Afterneath is an otherworldly reverb built from a cloud of short, cascading, pitch-shifted delays rather than a conventional reverb algorithm, producing massive, crystalline, shimmering washes of sound that sit somewhere between an ethereal, cavernous reverb and a swarming, ensconcing cloud of delay. It creates haunting, orchestral-sounding ambience unlike a traditional spring, plate, or hall reverb, and its cascading short delays take on a granular, textured quality when paired with distortion or fuzz, imparting real depth to a driven guitar signal. It gives droning shoegaze riffs rhythmic punch and ambient, psychedelic swells rather than a simple wash, rewarding experimental, hands-on tweaking of its interactive Drag, Length, Reflect, Dampen, and Spread controls. It suits shoegaze, ambient, and psychedelic players wanting deeply unconventional, atmospheric reverb textures.
The Walrus Audio Mako Series R1 is a high-fidelity stereo reverb, the sequel to the acclaimed D1 delay, offering six reverb types with deep adjustment in a compact pedal. Dedicated Decay, Swell, and Mix knobs sit alongside a Tweak knob that accesses Rate, Depth, and Pre-Delay, a Tune knob for low and high frequency voicing, and an X parameter unique to each reverb, such as overdrive on Spring or room size on Hall. Modes include lush halls and rooms plus experimental voices like Refract, a glitchy texture over diffuse reverb, and Air, an aerated reverb with subtle shimmer. It excels at expansive stereo space and ambient exploration. It suits ambient, post-rock, and experimental players wanting a versatile, workstation-grade reverb with presets in a compact enclosure.
cited
Genres this gear is documented as being used in.- Shoegaze
- fuzzy
- shimmer
cited
Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Live
- Studio
- Worship
- Live
- Silent Stage
- Studio
- Worship